Identification and description | |||||
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Name | Gardens of Westfield House | ||||
Location |
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Localisation | Latitude: 52.175649 Longitude: -0.54579444 National Grid Reference: SP9953854040 Map: Download a full scale map (PDF) |
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Overview | Heritage Category: Park and Garden Grade: II List Entry Number: 1431906 Date first listed: 24-Mar-2016 Statutory Address 1: Westfield Farm, Westfield Road, Oakley, Bedford, MK43 7SX |
Stephen Percival (Percy) Cane (1881–1976) was an English garden designer practising
in a simplified form of the Arts and Crafts style. An article in Country Life by Arthur
Hellyer explains characteristic features of Cane’s work including ‘a mainly classical
use of stonework … the other, for want of a better term, I call the slightly formalised
woodland glade’. Among gardens open to the public his work may be seen at Dartington
Hall (Registered Grade II*) and Falkland Palace. At the first he laid out dramatic
but subtle flights of steps, with bold associated planting, for an ancient terraced
garden. At Falkland, for the historic setting of a Scottish royal palace, he designed
a great border and a series of island beds. Cane was a very successful professional
designer, winning many medals at the Chelsea Flower Show, and securing prestigious
commissions (such as designing gardens for the Emperor Haile Selassie at the palace
in Addis Ababa).
The first edition 1” Ordnance Survey (OS) map of 1834-5 shows a building known as
West End Lodge in the field to the south-east of the current house and gardens. Westfield
House was originally built as a farmhouse by the Duke of Bedford in the mid-late-C19
and has undergone several phases of alteration since, although the ground plan remains
very similar to that depicted on the 1883 OS map. Curiously the bays to the south-east
elevation are not depicted on this or more recent maps. The multi-gabled brick built
house is largely covered in creepers with many of the gables displaying a date stone
of 1855 and the Duke of Bedford crest.
The gardens at Westfield were created by Percy Cane from 1953 to 1964 for Mr E F Davison
following the purchase of the house from the Duke of Bedford. He first began work
on the flat area immediately behind the house, creating a rose garden at the western
end and large pool at the eastern end. The pool was the termination of a sinuous rock
and water garden which worked its way down from a smaller pool in the north-west quadrant
of the garden. It is understood 145 tons of Westmorland limestone was used in the
construction and Hellyer (1981) suggests this represents the largest natural rock
and water garden made by Cane (with the exception of Hascombe Court, Surrey). Cane
was particularly pleased with the contrast between the informal pool and the formal
rose garden, both being visible from different aspects of the house. The gardens also
included long, curving glades and straighter, grassed walks, some of which crossed
one another and were adorned with statues or other ornaments which draw the eye to
various features of the garden.
Different compartments of the garden developed in a piecemeal fashion, although the
effect suggests a single phase of construction, it hangs together so comprehensively.
To the front of the house, relative formality is prominent within the enclosed, rectangular
garden, featuring a narrow canal pool running through its centre to the south. The
pool is defined around the edges by Yorkshire stone slabs laid flush with the lawn
and has fountains enhancing each end.
In Cane’s ‘The Creative Art of Garden Design’ (1967) he reviews in some depth the
gardens at Westfield, providing near contemporary images of the garden. In 1976 it
is documented that Graham Thomas advised on the replanting of overgrown borders, and
in more recent years the planting scheme in various parts of the garden has been renewed
and updated as the garden has evolved. A greenhouse was constructed on the lawned
area to the rear of the house in the early C21 and linked to the former rose garden
by an extension to the stone paving. The structural basis of the former rose garden
is retained, although the borders have now been planted with dwarf conifers and covered
in gravel.
LOCATION, SETTING, LANDFORM, BOUNDARIES AND AREA Westfield House, Oakley sits at the
extreme western edge of the village, approached only by a 1.4 mile drive, on a slightly
elevated position within a meandering loop of the Great Ouse River. South of the house
the land drops very slightly onto the flood plain and to the north, beyond the flat
terrace immediately adjacent to the house, it rises more steeply.
ENTRANCES AND APPROACHES The only approach to the house and gardens is via a linear
drive accessed from the village to the south-east. The 1.4 mile straight drive leads
directly to the south-east corner of the garden, although it discretely sweeps around,
between stone gateposts, to a gravelled parking area south-east of the house. The
drive, with broad grass verges, is planted with an avenue of green and gold conifers
intermingled with green and purple broad-leaved trees. In 1978 the drive was described
as ‘...conifers alternating with green and purple trees’ (Bisgrove) but the pattern
of colour is less regular now (2015).
PRINCIPAL BUILDING Westfield House was originally built as a farmhouse by the Duke
of Bedford in the mid-late-C19 and has undergone several phases of alteration since,
although the ground plan remains very similar to that depicted on the 1883 OS map.
The multi-gabled brick-built house is largely covered in creepers with many of the
gables displaying a date stone of 1855 and the Duke of Bedford crest. Associated with
the house, and situated to its south-east, is a walled garage court with an open-fronted
garage range with entertainment rooms above. Leaded-light windows run along the first
floor of the front elevation and to both the first and the ground floor on the gable
end. Also associated with the building is a brew house located to the north-west of
the house, this has been converted to a dwelling.
ORNAMENTAL GROUNDS AND PLEASURE GROUNDS Entering the drive from Oakley village the
tree-lined 1.4 mile length drive adds anticipation to the arrival at the house. At
the north-east end a gap in the hedge offers a glimpse of the fountain at the south
end of the canal pool. As the drive sweeps around to the north-east, through the gate,
the visitor arrives on the southern edge of the lawn, at the south-east corner of
the house. The garden from this angle has two clear levels, the broad, flat lawn to
the rear of the house and a slightly raised and sloped lawned terrace beyond. The
two are divided by a stone wall running approximately two-thirds across the width
of the garden, terminating just north of the large pool at the south-west end of the
lower lawn. To the rear of the house the wall is broken by a broad flight of stone
steps framed by stone piers, surmounted by urns; the break leads the eye to a pair
of decorative wrought-iron gates beyond, again framed with stone gate piers surmounted
with urns. The open design of the iron gates allows views to the rising landscape
beyond. A tennis court has been added immediately beyond the gate.
At the north-west end of the lower lawn the hard landscaping of the York stone paved
rose garden has been maintained with the central octagonal pond and statue offering
a focal point, although the former flower beds are now covered in gravel and each
one planted with a dwarf conifer. The pond depicted in photographs from the 1960s
show it to be square in plan but the octagonal pond is certainly present by 1981 as
it is shown in photos at this time. From the pond, looking north-east, a small wrought-iron
gate in the boundary wall provides a glimpse of a sun dial sitting on the raised lawn
terrace beyond. Looking south-east from the octagonal pond, stone piers, surmounted
with urns, mark the boundary from the rose garden to the curved edge of the lawn.
The form of the tree and shrub planting leads the eye to the south-east boundary of
the garden, at the far end of the lawn, where the boundary hedge is reduced in height
suggesting this once was an opening offering views to the farmland beyond. A wrought-iron
gate in the extreme south-east corner of the garden certainly offers this opportunity
and is visible from the house but not from the rose garden. A greenhouse was constructed
on the lawned area to the rear of the house in the early C21 and linked to the former
rose garden by an extension to the York stone paving.
Passing up the steps to the upper lawned area, the sundial and urns at the north-west
and south-east end respectively stand as eye catchers within enclosed compartments
defined by trees and shrubs. From the top of the garden, a lawned path known as the
Long Walk follows the entire north-east and south-east boundaries, shaded by cherries,
laburnums and lilacs. The walk leads to the lower lawned area and the drive, and serves
to enclose a sub-rectangular area featuring the rock and water garden; a sinuous stream
linked by a series of pools. Starting at the northern end in a small pool with a statue
in its centre, the water feature and its associated paths lead to a thatched summerhouse,
currently (2015) encased in wisteria, set within an enclosure surrounded by woodland.
The water feature terminates at the largest pool, on the lower lawned area.
To the south-west of Westfield House (front elevation) is an ornamental walled garden
defined by a brick wall along the south side, an evergreen hedge to the south-west
and the gable ends of farm buildings to the north side. A narrow canal pool runs through
the centre of the garden, opening out to pools at each end, small and rectangular
nearer the house but larger and bow-fronted near the gate. The pond is clearly defined
by a border of York stone, laid flush with the turf. Wide herbaceous borders shown
in photographs of 1981 running along the walls of the garden have now been replaced
by espalier trees. There are fountain statues in each pool, the largest at the far
end with two basins. The larger fountain can be glimpsed though a gap in the hedge
on the approach along the drive. The whole garden can be viewed from the house or
the terrace immediately outside it. The terrace is ornamented by another little pool,
hexagonal in plan with a small fountain directly in line with the others. The decorative
wrought-iron gates at the south-west extreme of the garden boundary, like those on
the north-east boundary of the rear garden, offer views to the wider landscape, in
this case across the floodplain and down to the river.
KITCHEN GARDEN Attached to the south-west of the garage court is a small walled garden,
described in 1978 as a salad garden, now laid with herbaceous borders defined with
box hedging. An open-fronted shed partially enclosed by decorative trellis defines
the eastern side of the garden, while brick walls surround the other three sides.
An arched, timber gate in each end wall creates a central walk through the garden.
The gardens at Westfield House, Oakley, created 1953-1964 by Percy Cane for Mr E F Davison.
This garden or other land is registered under the Historic Buildings and Ancient Monuments Act 1953 within the Register of Historic Parks and Gardens by Historic England for its special historic interest.
The gardens of Westfield House are included on the Register of Parks and Gardens of
Special Historic Interest at Grade II for the following principal reasons:
* Design: it is an outstanding example of a mid-C20 garden by Percy Cane, a garden
designer of international renown who himself considered the gardens at Westfield House
to be one of the best he had created;
* Intactness: the structural framework of the garden including, the walling, wrought-iron
gates, gate piers, urns, ornamental water course, fountains, former rose garden, thatched
summer house and canal pond all survive virtually intact and provide a context for
the bold and deliberate planting the majority of which still reflects Cane’s intention;
* Historic interest: it is of undoubted historic interest for its strong association
with Percy Cane who achieved international and lasting renown for his contribution
to garden design.
Books and journals
Oxford Companion to the Garden, (2006), 89-90
Bisgrove, R, The Gardens of Britain 3: Berkshire, Oxfordshire, Buckinghamshire, Bedfordshire and Hertfordshire, (1978), 180-181
Cane, P, Creative Art of Garden Design, (1967)
Jellicoe, G, The Oxford Companion to Gardens, (1991), 91
Webber, R, Percy Cane, Garden Designer, (1974), 80-83
Hellyer, A, 'A Percy Cane period piece. The Gardens at Westfields, Near Bedford' in Country Life, , Vol. July 2, (1981), 26-28
'Westfield Garden' in Bedfordshire Magazine, , Vol. 19, (1985), 11-14