Identification and description | |||||||
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Name | Japanese Garden at Grantley Hall | ||||||
Location |
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Localisation | Latitude: 54.119594 Longitude: -1.6309199 National Grid Reference: SE2422269366 Map: Download a full scale map (PDF) |
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Overview | Heritage Category: Park and Garden Grade: II List Entry Number: 1442593 Date first listed: 08-Mar-2017 Statutory Address 1: Japanese Garden NE of Grantley Hall, Grantley, Ripon, HG4 3ES |
Grantley Hall (listed Grade II*) is thought to have late C17 origins, but was greatly
enlarged, initially by Fletcher Norton (1717-1784), with further enlargements and
alterations by his descendants. Although Norton took the title Lord Grantley when
made a hereditary peer in 1782, Grantley Hall was never a principal residence, but
was mainly used for hunting parties and other entertainments. In 1900 the estate was
sold by the 5th Lord Grantley to Sir Christopher Furness (a shipping industrialist
from Hartlepool) who was raised to the peerage as Baron Furness of Grantley in 1910.
Sir Christopher is thought to have extensively remodelled the house and grounds, with
the Japanese Garden probably created under the direction of Lady Furness sometime
around 1910, certainly after 1908. Grantley was bought in 1925 by another industrialist
Sir William Aykroyd, but the estate was broken up after his death in 1947, with the
hall becoming a council-owned adult education college.
The Ordnance Survey 1:10560 maps surveyed in 1849, 1891 and 1908 shed light on the
evolving nature of Grantley’s formal park and gardens. The first map suggests that
the formal park had shrunk from its C18 extent, and that it had evolved via general
piecemeal estate management rather than being the product of a deliberate overall
landscape design. There is no known landscape designer associated with Grantley, although
John Carr of York is thought to have worked on the house. The current landscape is
considered to be largely a product of renovations and alterations made by Sir Furness,
incorporating earlier elements dating to the C19 and C18.
The Japanese Garden at Grantley post-dates the 1908 survey by the Ordnance Survey.
It was almost certainly the product of a skilled designer, but their identity is currently
unknown. The suggestion that it was designed by the influential writer on rock gardening,
Reginald Farrer (1880-1920), is considered unlikely. An alternative suggestion is
that it was the work of Backhouses of York, although this is not substantiated. Interest
in Japanese gardens in England developed in the Edwardian period following the publication
of Josiah Conder’s ‘Landscape Gardening in Japan’ in 1893. Although many gardens merely
imported the odd Japanese feature, many were more authentic, some being the work of
designers from Japan. The Japan- British Exhibition at White City, London, which was
visited by over 8 million people over six months in 1910, promoted further interest
in Japanese gardens and may have prompted the creation of the example at Grantley.
The Japanese Garden at Grantley was well established when it was photographed in 1919
as part of sales particulars for the estate. In form it is a naturalistic stroll garden
that clearly alludes to Brimham Rocks, a striking natural landscape five miles SW
of the hall which was part of the wider estate in the early C20 and is thought to
have been the source of the stone used for the garden. Analysis of the garden, particularly
of the rockwork, suggests that the outer bund to the N and parts to the W were later
additions or modifications, possibly after ownership passed to North Yorkshire County
Council after 1974. The bridge across the northern pond certainly dates to this period,
being a late C20 replacement of an original bridge which paintings and photographs
show was a red lacquered timber bridge reminiscent of the red bridge at Nikko, Japan.
Early illustrations also indicate that a tall stone lantern adjacent to the central
pond has been lost and that the boardwalk bridge at the northern end of the stream
ravine was originally a low arched bridge which had informal, low growing planted
borders rather than parapets.
LOCATION, AREA, BOUNDARIES, SETTING From the exterior, the Japanese Garden appears
to be a dense area of shrubbery on the northern edge of the level, now mainly grassed
gardens extending E from Grantley Hall. It is centred 100m to the NE of the principal
entrance to the hall, but does not have any particular visual relationship to the
building: it is neither aligned with, nor overlooked by the hall. It occupies a rounded,
roughly rectangular area some 70m N-S by 55m E-W, outlined by an earthwork bund whose
outer face is covered in shrubbery, mainly laurel and rhododendron. It is set at the
base of a shallow E-W valley, immediately S of a canalised water course, N of the
main river channel of the River Skell which is also canalised.
ENTRANCES, LANDFORM, LAYOUT, PLANTING The garden has three entrances, being gaps for
paths through the bund, to the NE and SW corners and slightly N of the centre of the
W side. The general level of the paths and open areas are lower than the original
ground surface, and certainly lower than the encircling bund which effectively provides
a sense of enclosure. The southern two thirds of the garden has a network of meandering,
interconnecting paths between raised areas of rockwork, most of which convincingly
imitates rock strata, so that the paths appear to follow natural gullies and ravines.
Off-set to the W of the centre of this area is an irregular pond fed by a waterfall
that curtains a small, shallow cave. A gently flowing stream course flows N from the
E end of this pond, filling the base of a deep ravine, to flow into a larger pond
that forms the central feature of the more open northern part of the garden. The length
of this stream-filled ravine is traversed by a path of irregular stepping stones.
Just beyond the northern end of the ravine the stream is crossed by a simple late
C20 boardwalk bridge (a replacement for a low arched bridge) and flows over a low
weir to enter the northern pond. The paths, which are mainly naturalistically gravelled,
are not all level, the lowest part of the garden being a small sunken area to the
SE accessed by three paths incorporating natural rock steps. This dell includes an
eroded Japanese stone lantern and is overlooked by a specimen tree. On the western
side of the garden there is a designed view of the central pond framed by jutting
rocks. A little further S from this view, the path passes beneath a rock slab forming
what appears to be a natural arch.
The northern third of the garden is more open in character, but still with an enclosed,
inward-looking feel because of the outer bund. It features a large naturalistic pond,
encircled by an informal path and spanned by a timber bridge, originally of Japanese
design but replaced with a lower quality bridge in the second half of the C20. The
pond is fed by the stream from the ravine and also via a piped supply to the NW imitating
a spring. Its piped outflow is concealed. In the western part of the pond is a Japanese
stone lantern. The rockwork to the N and W of the northern pond, and parts further
S on the western bund, is less convincing as natural outcropping, with rocks placed
with little attention to bedding planes and the position of neighbouring rocks.
The garden is thought to retain some of its original planting including conifers,
maples, and other small trees and shrubs. Moss and ferns are also well established
in naturalistic appearance. At the time of survey, some areas were overgrown with,
for instance, bamboo dominating some areas on the eastern side.
Naturalistic Japanese stroll garden constructed around 1910 for Lord and Lady Furness, including two ponds linked by a stream set within a ravine, featuring very high quality rockwork that convincingly imitates natural rock faces and outcrops.
This garden or other land is registered under the Historic Buildings and Ancient Monuments Act 1953 within the Register of Historic Parks and Gardens by Historic England for its special historic interest.
The Japanese Garden at Grantley Hall of early-C20 date, is included on the Register at Grade II for the following principal reasons: * Design: a garden that follows authentic Japanese design principles rather than being an example of the more typical Japanese pastiche approach; * Rockwork: although artificially constructed, this is generally of such high quality that it appears to form naturally occurring rock faces and outcrops; * Layout, features: the high quality of the design manages to incorporate a wide range of views and points of interest in a relatively small area, making the garden seem to be larger than it is in reality.
Other
"Grantley Hall Estate - a photographic record" Historic Parks and Gardens Study Group (2012)